
This is a music/culture review with left-leaning editorial framing evident in dismissive references to 'Bannon's philosophy' and flooded language ('shit'), combined with weary, anti-establishment tone regarding Covid aftermath and war. The piece centers cultural observation and subjective atmosphere over reporting; no traditional sources are cited. Language is literary and impressionistic rather than charged advocacy, placing it in the moderate-left opinion space rather than hard left.
Primary voices: media outlet
Framing references Covid aftermath as historical moment, suggesting this was written in 2021–2023; cultural assessment of French artists' impact may shift with subsequent performances or reception.
In Los Angeles, the binary aggression of Covid and its aftermath appears to have a slid into a fried truce. People, even security, even their cameras, seem weary. The numb fug of weed is everywhere. The big war, the smaller ones on endless fronts, elicit winces rather than words. The zone, flooded with shit per Bannon’s philosophy, is swallowing language. France arrive into this Walker-esque drift and barely disturb it, or perhaps not at first. What could the impact be of a drone trio of French
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